Fantasmagorie. Lanternes de peur entre science et croyance. Arts décoratifs – Arts appliqués mobility and social and territorial

mobility and social and territorial belonging

It often took several visits to the most remote regions before mutual trust was sufficient to allow him to participate in the events

the artist met many picturesque and colorful characters

Anna was the guest of the Italian Pavilion at the 54th Venice Biennale

Egyptian religion by E

Fantasmagorie. Lanternes de peur entre science et croyance. Arts décoratifs – Arts appliqués mobility and social and territorialThe spectacle of phantasmagoria has fascinated audiences since the late 18th century. Initially technical experiments, they quickly became the occasion for occult experiences that captivated the public. Drawing their inspiration from the dark Gothic, phantasmagoria led to pre cinema. The exhibition at the Alsatian Museum in Strasbourg and the accompanying catalog explore the historical context of the emergence of phantasmagoria. The phenomenon of